High-fidelity recording: Record up to 32 simultaneous channels in 64-bit /192 kHz maximum resolution. Features include: - Focused Editing: Edit audio in a new user interface designed specifically for OS X, with dedicated viewing panels for the ideal workflow experience when recording, monitoring, editing, applying plug-in processing, and browsing for content. Sound Forge Pro Mac is a comprehensive solution for obtaining pristine audio, from recording to finished master. Highlights include support for legacy features like event-based editing and a re-designed Plug-In Chainer, as well as a full suite of plug-ins dedicated to making efficient work of audio mastering and repair/restoration tasks. Professionals who work on the Mac platform will now be able to enjoy the Sound Forge quality standard in a fresh application that takes full advantage of OS X elegance and functionality. This audio recording, editing, and mastering platform was developed from the ground up specifically for OS X. 3, 2012 /PRNewswire/ - Sony Creative Software, a leading global provider of professional editing and authoring solutions, today released Sound Forge Pro Mac 1.0 software, the newest addition to its line of award-winning video and audio production software products. We were particularly impressed with the included time stretching features which allow very fine adjustment of time, tempo and pitch and the way that all the effects can be previewed from inside their own settings panels before committing to processing.MIDDLETON, Wis., Oct. You get a selection of high quality effects for processing your recordings, including compression, delay, EQ, reverb and various filters inveterate knob-twiddlers can fiddle with the effects manually, while there are plenty of well-described presets for those less aurally inclined users.
Sound Forge includes a range of tools for precision editing of audio files including a pencil mode which lets you draw directly within the waveform and an envelope mode which is great for adjusting the way effect parameters are applied over a specific passage of audio. The interface is easy to customise and works well, even on a 13” MacBook screen. Find an individual audio file in the browser and it can previewed instantly or right clicked and added to a handy list of favourites. The interface is sparse but well-organised into a collection of clever panels which contain the various editing views, the plug-in effects chain, browsers, file properties, meters and so on that can be arranged and switched on or off with a couple of mouse clicks.
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